KIND ALS PINSEL. CHILD AS A BRUSH. Making art, being a mother.

With works by
WIEBKE BARTSCH – MARCELA BÖHM – (E.) TWIN GABRIEL
SIMONE HAACK – ANNEGRET SOLTAU

Even today, women artists who become mothers have to grapple with the question of how motherhood is presented to the outside world. Because it almost seems to be a flaw: making art and being a mother is unthinkable for many art practitioners. Career pauses and career breaks are literally expected and it is doubted whether art can still be created professionally under the conditions of a baby. As in every profession, it is about the question of the compatibility of work and motherhood and whether the art world is not subject to special peculiarities. In one way or another, each of the participating artists in this exhibition has experienced it.

The exhibition also poses the question of how one’s own child and family influence artistic work. Annegret Soltau was one of the first contemporary artists to reflect on her motherhood and her family in her own work, and that was a scandal in the male-dominated art world of the 1970s. Today, the insult is more subtle, with some female artists simply not talking about their motherhood. And why not: children hardly ever appear in the biographies of male colleagues.
The exhibition is the prelude to a more in-depth examination of the topic, which will be followed by further events and a publication by 2024.

CHILD AS A BRUSH
Making art, being a mother
With Wiebke Bartsch, Marcela Böhm, (E.) Twin Gabriel, Simone Haack, Annegret Soltau
Opening 28 October 2022, 7 p.m.
Duration of the exhibition: 29.10.-26.11.22

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(E.) Twin Gabriel: Child as a brush (Kooperatorka), 2007.
Camera performance, digitized Super-8 film

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Annegret Soltau: Erinnerung (Memory), 1980. Video work

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Marcela Böhm: Strom, 2022. Oil on canvas, 150 x 90 cm

WAZ on Sign, Pattern, Ornament

WAZ- Westdeutsche Allgemeine Zeitung published a report by Martina Schürmann on our current exhibition: “Die Bilder werden zur Bühne” (“Images become the stage”) | WAZ.de – Read more HERE!

Zeichen – Muster – Ornament (Sign – Pattern – Ornament)
Group Show
28 June – 23 August, 2014
Opening Reception 27 June, 2014, 7 p.m.[/lang_en-us]

Sign – Pattern – Ornament

The stronger the artistic autonomy, the more the ornament turns into an accessory part: In the 21st century this rule does not apply anymore, as trend-setting exhibitions by the Kunstmuseum Wolfsburg and the Fondation Beyeler worked out, that ornament currently resurrects as the carrier of a global pictorial language. Geometric, floral and calligraphic ornaments are more than just decoration, instead they visualize classification systems, which now are critically questioned by contemporary artists. In selected works by artists of the gallery our exhibition discusses the current controversy on this topic.
Works by: Wiebke Bartsch, Marcela Böhm, Michael Goller, Simone Haack, Hanakam & Schuller, Armin Hartenstein, Bodo Korsig, Jürgen Paas, Rainer Stock, Martin Schwenk.

Zeichen – Muster – Ornament (Sign – Pattern – Ornament)
Group Show
28 June – 23 August, 2014
Opening Reception 27 June, 2014, 7 p.m.

Wiebke Bartsch at Kunsthalle Münster

Currently Kunsthalle Münster is showing the exhibition “Die Liebe zu den Dingen” (Love for things), with the following positions: Wiebke Bartsch, Alexandra Bircken, Karla Black, Kristina Bræin, Sylvie Fleury, Andreas Gloël, Surasi Kusolwong, Al Masson, Roman Signer, Florian Slotawa, Erwin Wurm, Haegue Yang. On 3 und 7 of December a TV-report about the exhibition will be featured on WESTART (WDR-TV).

Die Liebe zu den Dingen.
23 November 2013 through 30 March 2014
Kunsthalle Münster
Hafenweg 28, 48155 Münster, Germany
Opening Hours: Tue – Fri 2pm – 7pm, Sat – Sun 12am – 6pm

“Unter die Haut” und Wundertüte 2013


Unsere Ausstellung setzt aktuelle Positionen der Malerei in Kontrast und Bezug. Die Haut als Gegenstand der Malerei bedeutete für die Künstler aller Epochen eine besondere Herausforderung. “Das Tiefste, das ist die Haut”, hat es Paul Valery formuliert, und im Kontext der Malerei ist mit diesem Paradoxon nicht nur der besondere Anspruch einer naturgetreuen Widergabe der Haut gemeint, sondern auch ihre Eigenschaft als Projektionsfläche verschiedenster Charakteristika der gemalten Person: Jugend und Alter, Lust und Leid, Härte und Verletzlichkeit, Anspannung und Gleichmut etc. – Die menschliche Oberfläche spricht stets von dem, was darunter liegt. Und jenseits der Abbildhaftigkeit spielt die Haut bei den vorgestellten Positionen unserer Ausstellung auch eine wichtige Rolle in der Reflexion der malerischen Mittel: Insofern ein Thema der Malerei, was eine nähere Betrachtung lohnt.
Beteiligte Künstler und Künstlerinnen: Simone Haack, Marcela Böhm, Anja Schreiber, Andreas Titzrath, Wiebke Bartsch.


Am gleichen Abend eröffnen wir auch die Aktion “WUNDERTÜTE – Die Kunst in Tüten”. Seit mehr als 10 Jahren füllen alljährlich 20 Künstler der Galerie jeweils 20 Tüten mit ihrer Kunst. Was sich in den namentlich gekennzeichneten Tüten befindet, ob Malerei, Skulptur, Fotografie, Objekt oder Multiple, das erfahren Sie erst beim Kauf. Zur Eröffnung am 15. November spricht die WDR-Moderatorin Martina Esser. In diesem Jahr wird die „Wundertüte“ mit einer Spendenaktion zugunsten des Förderturm- Ideen für Essener Kinder e.V. verknüpft: 2€ pro verkaufter Tüte gehen an den Förderturm.
Hier können Sie Wundertüten online bestellen…

UNTER DIE HAUT.
Positionen aktueller Malerei.
16. November 2013 – 11. Januar 2014
Eröffnung: Fr., 15. November 2013, 18h

WUNDERTÜTE 2013. “Wild at Heart”.
16. November bis 24. Dezember 2013
Eröffnung: Freitag, 15. November 2013, 19 Uhr

Press Release Wiebke Bartsch


Munster based artist Wiebke Bartsch shows her new solo exhibition „I Could Barely Understand Myself“ at Galerie Obrist until 15 June. With her paintings, drawings and plastic works Bartsch is concerned with questions of identity, role models, physicalness and sexuality, which she comments laconically, often with a humorous punchline.
Vollständige Pressemitteilung auf OpenPR

Wiebke Bartsch: I Could Barely Understand Myself.
4 May – 15 June, 2013
Opening Reception: Friday, 3 May, 2013, 7 p.m.

Opening Reception with Wiebke Bartsch on Friday

Bartsch01www

Upcoming Friday we will celebrate the Opening Reception of the exhibition “Wiebke Bartsch. Clouds pass by”, the artist will be present. The Master Student of Timm Ulrichs will showcase new drawings, textile wallpieces and installations.

More about Wiebke Bartsch

Wiebke Bartsch: “Clouds Pass By”.
Oct. 2 – Nov. 6, 2010